Jeremy O. Harris

杰里米·O·哈里斯是一位美国剧作家、演员和编剧，其挑衅性的作品重塑了当代戏剧和电影。他以《奴隶游戏》而闻名，这是百老汇历史上获得托尼奖提名最多的戏剧，并共同编写了A24电影《佐拉》。哈里斯在舞台和银幕之间自如穿梭，也出演了《绯闻女孩》和《艾米丽在巴黎》等剧集。

截至2026年，哈里斯继续扩大他的创作足迹。他最近与查莉·XCX和皮特·奥赫斯共同编写并制作了电影《爆发》，并为卡莉·蕾·杰普森执导了一支音乐视频。哈里斯以其毫不妥协的叙事和乐于引发争议而闻名，已成为当代文化中独特的声音。他的作品不断挑战观众去面对关于种族、权力和欲望的难题。[编辑]

杰里米·奥布莱恩特·哈里斯在弗吉尼亚州马丁斯维尔长大，这是该州南部的一个小城市。关于他童年的细节鲜为人知，但他很早就对表演和叙事产生了兴趣。他搬到芝加哥，在德保罗大学戏剧学院学习表演，沉浸于这门技艺中。在那期间，他出演了短片《#夜斗》（2014年），担任演员角色。

德保罗大学毕业后，哈里斯进入耶鲁大学戏剧学院，磨练了他的编剧技巧。正是在耶鲁，他开始创作《奴隶游戏》，一部对种族、性和权力的大胆探索。该剧于2018年在纽约戏剧工作坊首演，当时哈里斯还是学生，并迅速引起轰动。他的作品在2018年10月获得了葡萄园剧院颁发的保拉·沃格尔编剧奖，预示着他崭露头角的声誉。哈里斯于2019年从耶鲁获得艺术硕士学位，恰逢《奴隶游戏》准备登上百老汇。[编辑]

哈里斯的突破之作是《奴隶游戏》，该剧于2018年在纽约戏剧工作坊首演，并于2019年移师百老汇黄金剧院。该制作获得了12项托尼奖提名，成为百老汇历史上获得托尼奖提名最多的戏剧，尽管未在任何奖项中获胜。同年，他的戏剧《爸爸》在百老汇上演，2020年他又推出了《黑色展览》。

哈里斯通过《佐拉》（2021年）进军电影界，这是一部A24出品的电影，他共同编写并制作，基于一条病毒式传播的推特帖子。这部电影为他赢得了独立精神奖最佳剧本提名。他还以演员身份出演了《绯闻女孩》（2021年）、《艾米丽在巴黎》（2022年）和《甜蜜东方》（2023年）。2025年，他执导了卡莉·蕾·杰普森的音乐视频《别把我留在舞池》，完成了导演首秀。

2026年，哈里斯共同编写并制作了《爆发》，由皮特·奥赫斯执导，查莉·XCX和莉娜·戈拉主演。该片于2026年3月在美国首映，并于4月上映。哈里斯也坦诚地谈到了他转向制片工作的决定，解释说他想支持其他艺术家的愿景。他最近的作品继续模糊戏剧、电影和电视之间的界限。[编辑]

哈里斯被广泛认为是一位挑衅且突破界限的剧作家，他在争议中茁壮成长。他在《奴隶游戏》上的工作使他既成为评论界的宠儿，也成为辩论的焦点。媒体描绘常常强调他好斗的个性和挑战戏剧惯例的意愿。他在高雅艺术和流行文化之间自如转换，出现在主流电视节目中，同时保持前卫的可信度。粉丝们欣赏他毫不掩饰的声音和他探索不适主题的承诺。目前没有官方粉丝名称的记录，但他的观众涵盖戏剧爱好者、电影爱好者以及被其大胆美学吸引的年轻人。[编辑]

Jeremy O. Harris stands as a singular, often polarizing force in modern theater and film, yet his standing within the broader global hierarchy of celebrity remains distinct from traditional pop culture icons. As of August 2026, iFANN has evaluated Jeremy O. Harris but he currently holds no placement in the published Global Top 1,000 rankings or any scope-specific top lists. This absence from the ranked charts reflects a profile built on critical acclaim and cultural controversy rather than mass-market ubiquity or viral fandom metrics. While his work on Slave Play and Zola has reshaped conversations around race and identity, and recent events like his arrest in Japan and public confrontation with Sam Altman have generated significant headlines, these moments have not translated into a quantifiable rank within the engine's current scope.

The audience surrounding Jeremy O. Harris lacks a formal name or organized rituals typical of dedicated fan clubs. His supporters are primarily theatergoers, industry professionals, and critics who engage with his work through reviews, awards discourse, and cultural analysis rather than through fan-driven campaigns or community gatherings. There is no documented evidence of fan-funded projects, specific birthday tributes, or chart pushes orchestrated by a named group. Instead, engagement centers on the art itself, debating the themes of Slave Play, analyzing the production of Euphoria, or discussing his legal troubles and political stances on AI. The interaction between Harris and the public remains professional, characterized by interviews about his craft and controversial statements rather than direct fan service or social media interactions that define modern celebrity fandoms.[编辑]

Harris made his directorial debut with a Carly Rae Jepsen music video starring Alden Ehrenreich. He has been publicly vocal about AI policy, urging Americans to be "pugnacious" in advocating for fair treatment of artists. His personal essentials reportedly include a suitcase, mushroom pills for focus, and Crocs. Harris uses creative work as "a catalyst to process, to turn things over, to try to analyze." He was arrested in Japan in November 2025 on suspicion of attempted drug offenses and spent 23 days in custody before release. His Instagram bio describes him as a "screenwriter to watch."

A defining legend in his career mythology stems from the creation of Slave Play in 2018. This verified event saw Harris write and produce the play that became the most Tony-nominated Broadway play in history, sparking intense national debate and cementing his status as a provocative voice. Another key moment involves his role as a co-producer on the hit HBO series Euphoria, which solidified his reputation in television. Recent lore also includes his March 2026 appearance where he publicly confronted AI mogul Sam Altman, calling him a "Nazi" during a Vanity Fair segment, an incident widely discussed in cultural commentary. Finally, his August 2026 directorial debut for Carly Rae Jepsen featured a "Lynchian" aesthetic for the song "Don't Leave Me on the Dancefloor," marking another professional milestone in his expanding portfolio.[编辑]

关于哈里斯的家庭，公开信息不多。他出生于弗吉尼亚州马丁斯维尔，但关于他父母或兄弟姐妹的细节并未广泛报道。哈里斯在采访或社交媒体上并未分享太多关于家庭生活的信息。截至2026年，他似乎是单身，没有孩子。他也没有公开讨论过他的家庭或宠物。他的重心仍然在他的事业和创作项目上。[编辑]

哈里斯曾与多位跨领域的艺术家合作。他与导演Pete Ohs及音乐人Charli XCX共同撰写了《Erupcja》，由Charli XCX和Lena Góra主演。他为Carly Rae Jepsen执导了一支音乐录影带，由Alden Ehrenreich出演。艺术家Sable Elyse Smith曾为《Interview》杂志对他进行采访。他还获得了以著名剧作家命名的Paula Vogel剧作奖。[编辑]

关于Jeremy O. Harris感情生活的公开信息极为有限。在可靠来源中，没有记录到已确认的长期关系。哈里斯并未公开讨论过他的约会历史，也没有关于当前伴侣的经过验证的报道。截至2026年，他似乎单身，专注于自己的事业和创作项目。他2026年的电影《Erupcja》包含一个关于女性与旧女友重聚的故事情节，但这是虚构的，并非自传性质。哈里斯将个人生活保持私密，没有可靠来源提及任何恋爱伴侣。[编辑]

As of 2026, Jeremy O. Harris's net worth is estimated at $5 Million per iFANN's editorial analysis. His income derives from multiple streams within the entertainment industry. Theater royalties from Slave Play and Daddy provide a steady base, especially given the continued productions and licensing of these works. Harris earns fees for writing and producing film projects like Zola and Erupcja, and he receives salaries for acting roles in television and film. His recent pivot to producing has opened new revenue opportunities, as producers typically earn a percentage of a project's profits. While exact figures are not publicly disclosed, Harris's growing portfolio and critical acclaim suggest a steady upward trajectory in his financial standing.[编辑]

哈里斯获得了葡萄园剧院颁发的Paula Vogel剧作奖。虽然他获得了众多提名，包括《Slave Play》的12项托尼奖提名和《Zola》的独立精神奖提名，但他并未在这些类别中获奖。他为《Slave Play》创纪录的托尼奖提名仍然是百老汇历史上的一个里程碑式的成就。[编辑]