Malice

小吉恩·埃利奥特·桑顿（Gene Elliott Thornton Jr.），1972年8月18日出生于弗吉尼亚州弗吉尼亚海滩，是美国说唱歌手兼词曲作家。他最初作为嘻哈二人组Clipse的一员与弟弟Pusha T一同成名。早期艺名为Malice，2012年皈依基督教后改名为No Malice。Clipse的首张专辑《Lord Willin'》在2002年登顶Billboard 200并获金唱片认证，确立了二人组在南方嘻哈界的核心地位。后续专辑《Hell Hath No Fury》（2006年）被广泛视为经典。单飞后，Malice发行了两张以信仰和救赎为主题的专辑：《Hear Ye Him》（2013年）和《Let the Dead Bury the Dead》（2017年）。他继续与Clipse在重聚演出中表演，截至2026年正在制作新音乐。他的回忆录《Wretched, Pitiful, Poor, Blind & Naked》（2011年）详述了他的挣扎与皈依。Clipse被认为帮助弗吉尼亚州确立了南方嘻哈重镇的地位，他们错综复杂的毒品交易叙事和极简主义制作影响了一代人。[编辑]

桑顿一家于1979年从布朗克斯搬至弗吉尼亚海滩，当时Malice七岁。在那里，他接触了毒品交易，这后来成为他歌词的核心主题。他在初中时开始说唱，作为Def Dual Productions的一员，其制作人是他的同学Timbaland，当时艺名为DJ Timmy Tim。1988年，一位共同的朋友将他介绍给Chad Hugo，他们开始一起录制歌曲。两年后，Malice通过其他关系结识了Pharrell Williams。Williams和Hugo后来组成了The Neptunes，成为Clipse的标志性制作人。Malice和Pusha T在1990年代早期组建了Jarvis乐队。给Pharrell留下深刻印象后，他们于1996年与Elektra Records签约。首张专辑《Exclusive Audio Footage》已完成录制，但因单曲《The Funeral》失利而被搁置，二人组随后被解约。Malice早期在弗吉尼亚海滩接触可卡因交易的经历成为Clipse音乐的歌词基础。在此期间，他也开始贩卖毒品，这段经历深刻影响了他的歌词内容。[编辑]

Clipse在2002年凭借《Lord Willin'》取得突破，该专辑由Star Trak/Artista发行。The Neptunes制作的单曲《Grindin'》迅速成为经典，专辑在Billboard 200上首周夺冠，最终获得金唱片认证。后续专辑《Hell Hath No Fury》（2006年）在厂牌动荡后问世，却赢得了近乎一致的赞誉，评论家称赞其密集的毒品交易叙事和极简主义制作。它常被列入该十年最佳嘻哈专辑榜单。第三张专辑《Til the Casket Drops》于2009年由Columbia发行。2011年，Malice出版了回忆录《Wretched, Pitiful, Poor, Blind & Naked》，详述了他对艾滋病的恐惧和转向基督教的经历。他于2012年改名为No Malice，并与基督教说唱歌手Lecrae合作了混音带《Church Clothes》，出现在歌曲《Darkest Hour》中，以及Lecrae的格莱美获奖专辑《Gravity》中歌曲《Lord Have Mercy》的音乐视频里。他的个人首张专辑《Hear Ye Him》于2013年发行，随后是2017年的《Let the Dead Bury the Dead》。自2019年以来，Clipse已重聚进行音乐节演出，包括2024年Pharrell的Something in the Water音乐节，据报道正在制作新作品。Clipse的职业生涯里程碑包括2001年签约Star Trak和1994年组建组合。[编辑]

Malice的公众形象在皈依基督教后发生了巨大转变。在Clipse时期，他展现出街头智慧、硬朗的形象，歌词复杂且聚焦毒品交易。2012年后，他采用了低调、以信仰为基础的美学，穿着朴素，并公开谈论救赎。媒体常将他描绘为Clipse中更具内省精神和灵性追求的一半，与Pusha T的好胜心形成对比。粉丝们争论哪张Clipse专辑更优秀，而二人组在2019年的重聚引发了兴奋。Malice几乎没有社交媒体存在，主要通过音乐和采访进行交流。他的风格从浮夸的嘻哈刻板印象演变为简单朴素的着装。Clipse粉丝没有官方的粉丝名称，但他们经常讨论二人组的作品。[编辑]

Malice commands a distinct, enduring presence within the global hip-hop landscape, recognized primarily for his foundational role in the duo Clipse and his subsequent pivot to faith-based solo work. His career trajectory has generated sustained cultural resonance rather than fleeting viral spikes, anchoring him as a figure of historical significance in Southern rap. Despite this legacy, iFANN's Global Fame Engine has evaluated this person, but they do not currently hold a placement in the published rankings (Global Top 1,000 or a Top-100 scope list). The artist remains outside the current tiered listing of the world's most famous individuals, reflecting a profile defined by deep respect among connoisseurs rather than mass-market ubiquity. The fanbase associated with Malice does not possess a formal, documented name; supporters generally identify themselves as part of the broader Clipse community or as devotees of the duo's catalog. This audience is characterized by its longevity and dedication, having maintained demand for the group through a thirteen-year hiatus that concluded with the 2025 release of Let God Sort Em Out. Fans have actively participated in the narrative surrounding the artist's spiritual transformation, often citing the 2012 name change to No Malice as a pivotal moment that redefined their connection to the music. The reunion era saw mobilized support driving streaming numbers and chart performance, while interactions such as the 2017 documentary screening at St. Brides Correctional Center highlighted a unique dynamic where fans engaged with the artist's religious outreach alongside his musical output.[编辑]

Gene Elliott Thornton Jr. originally performed under the moniker "Malicious" before shortening it to Malice. He changed his stage name to No Malice in 2012 following a Christian conversion. His junior high classmate Timbaland produced for his early group Def Dual Productions. He published his memoir on Valentine's Day 2011. Malice has described how Clipse approached mixtapes as educational projects designed to outshine previous works. He met Chad Hugo in 1988, which led to his first professional recordings. The Thornton family moved from the Bronx to Virginia Beach when he was seven. Malice has kept his wife's name and the number of his children private. He has stated that Clipse's success strategy involved catering to loyal fans rather than chasing mainstream appeal. His memoir is written in a confessional, narrative style. A widely retold story in hip-hop lore concerns his departure from the scene, where he claimed he felt destined to end up dead or in jail if he continued his lifestyle, a sentiment he later clarified was a survival instinct driven by spiritual awakening. Another verified event often cited as proof of his genuine transformation occurred in August 2017, when No Malice traveled to the St. Brides Correctional Center in Virginia to screen his documentary, The End of Malice, framing the visit as spiritual outreach rather than a typical concert appearance.[编辑]

Malice是Terrence“Pusha T”Thornton的哥哥。兄弟俩出生于布朗克斯，在弗吉尼亚海滩长大。他们的父母于1979年举家迁至弗吉尼亚。Malice已婚并有子女，但他对妻子的姓名和家庭细节保密。他的基督教信仰是其家庭生活的核心，他曾谈到皈依如何重塑了他的优先事项。桑顿一家在Malice七岁时从布朗克斯搬至弗吉尼亚海滩，这是一个重要的家庭故事。[编辑]

Malice最重要的合作伙伴是他的兄弟Pusha T，两人共同组成了Clipse。The Neptunes的Pharrell Williams和Chad Hugo制作了Clipse的大部分经典作品。Timbaland曾是Malice初中乐团的同学和早期制作人。基督教说唱歌手Lecrae与Malice在2012年的混音带《Church Clothes》中合作。[编辑]

Malice将感情生活保持得非常私密。他已婚，但妻子的姓名从未公开确认。这对夫妇有孩子。他的基督教信仰和家庭是他2011年后公众形象的核心。可靠来源中没有报道过其他恋情。截至2026年，Malice仍然已婚。他没有就自己的感情关系发表过任何公开声明。[编辑]

As of 2026, iFANN currently estimates Malice's net worth at $5 million. The bulk of this wealth originates from his extensive music career. Clipse's catalog generates substantial royalties from albums including Lord Willin', which holds a gold certification, Hell Hath No Fury, and Til the Casket Drops, alongside ongoing streaming revenue. His solo albums Hear Ye Him and Let the Dead Bury the Dead contributed modest income to his portfolio. His 2011 memoir added further value through book sales. Touring and festival appearances during the Clipse reunions since 2019 provide additional earnings. Malice also retains songwriting and publishing royalties from his Clipse-era work. There are no major publicly documented business ventures outside of music.[编辑]