Ottessa Moshfegh

Ottessa Moshfegh 是一位美国小说家和编剧，以其对异化女性的毫不留情的描绘而闻名。她的处女作小说《Eileen》（2015年）获得了海明威基金会/PEN奖，入围布克奖，并成为美国国家书评人协会奖的决赛作品。Moshfegh 随后出版了黑色幽默的《My Year of Rest and Relaxation》（2018年），这本畅销书奠定了她犀利、令人不安的文风。之后她又出版了中篇小说《Death in Her Hands》（2020年）和中世纪寓言《Lapvona》（2022年）。除了小说创作，她还共同编剧了2023年改编自《Eileen》的电影。她的作品已被翻译成二十多种语言。Moshfegh 住在南加州，运营着一份 Substack 通讯。她继续创作小说和散文，其作品在读者中拥有 cult 地位。[编辑]

Moshfegh 在马萨诸塞州牛顿市长大，出身于专业音乐家家庭。她的父母都是小提琴手，在1978年革命期间逃离伊朗，定居波士顿，在新英格兰音乐学院任教。她小时候学习钢琴和单簧管，最初从事音乐。14岁时，一个暑期创意写作课程将她的注意力转向了写作。她就读于波士顿的 Commonwealth School。2002年在巴纳德学院获得英语文学学士学位后，她移居中国，教授英语并在朋克酒吧工作。二十多岁时，她回到纽约市，为 Overlook Press 工作，并担任编辑 Jean Stein 的助理。患上猫抓热促使她离开城市，前往布朗大学攻读艺术硕士（MFA），并于2011年毕业。在那几年里，她靠出售古着服装维持生计。2013年至2015年，她是斯坦福大学的 Wallace Stegner 写作研究员，在那里她创作了处女作小说《Eileen》。她按照一本90天小说写作指南，以开玩笑的方式写了《Eileen》，意在展示写作有多么容易。她的写作受到 Gordon Lish 的“consecution”和“swerve”技巧的影响。她将《乐一通》中的兔八哥归功于为她奠定了喜剧节奏。[编辑]

Moshfegh 的突破是在2015年随着《Eileen》的出版而来。这部小说获得了海明威基金会/PEN奖，入围布克奖，并成为美国国家书评人协会奖的决赛作品。她此前已凭借2011年的中篇小说《McGlue》赢得了 Fence Modern Prize in Prose 和 Believer Book Award，并于2013年获得《巴黎评论》的 Plimpton Prize。2018年，她出版了《My Year of Rest and Relaxation》，这是一本《纽约时报》畅销书，成为一种文化现象。随后她出版了《Death in Her Hands》（2020年）和《Lapvona》（2022年）。2023年，她共同编剧了改编自《Eileen》的电影剧本，由 William Oldroyd 执导，Thomasin McKenzie 和 Anne Hathaway 主演。她还于2017年出版了短篇小说集《Homesick for Another World》。Moshfegh 的短篇小说曾获得 Pushcart Prize 和 O. Henry Award，并于2013年获得美国国家艺术基金会创意写作奖学金。[编辑]

Moshfegh 以对异化、常常不讨喜的女性进行毫不留情、黑色幽默的描绘而闻名。她的文风粗粝、冷面、毫不妥协地诚实。媒体经常将她描述为文学挑衅者和千禧一代偶像，她的作品常被归类为 misery lit 或 sad girl literature，尽管她抵制这些标签。《My Year of Rest and Relaxation》在读者中获得了 cult 地位。Moshfegh 在社交媒体上保持极少的公开存在，主要通过她的 Substack 通讯进行交流，这增加了她神秘的形象。她曾接受《纽约客》、《巴黎评论》、《Granta》、《卫报》和《Vogue》的采访和专题报道。[编辑]

Ottessa Moshfegh commands a readership defined by literary devotion rather than the frenzied mobilization typical of pop culture icons. Her audience consists primarily of critics, academics, and enthusiasts of high fiction who engage with her uncompromisingly dark narratives without the ritualistic fervor seen in mass-market fandoms. There is no documented name for her fanbase, nor are there organized campaigns, birthday billboards, or street-shutting events associated with her public appearances. The narrative surrounding her remains rooted in the critical reception of her novels and the specific, often unsettling psychological landscapes she constructs. While recent developments such as the split from Luke Goebel and discussions regarding new endings to her work have generated news cycles, these remain professional milestones rather than viral legends that have reshaped her public mythology. iFANN has evaluated her global standing with rigorous neutrality. Ottessa Moshfegh is currently not ranked in the Global Top 1,000. She does not hold a placement in any Top-100 scope list. This absence of a numerical ranking reflects her status as an author whose influence permeates literary circles without generating the broad, quantifiable consumption signals required for entry into the published rankings.[编辑]

Born on May 20, 1981, in Boston, Massachusetts, Moshfegh supported herself through eclectic means including selling vintage tea dresses and working at a punk bar in China. Her approach to novel writing began as a satirical experiment at Stanford University; she purchased The 90-Day Novel by Alan Watt and attempted to follow its instructions until day 60, a process that yielded her debut novel Eileen. Her short fiction has garnered a Pushcart Prize and an O. Henry Award, and she received a National Endowment for the Arts Creative Writing Fellowship in 2013. During her MFA studies, she taught undergraduates at Brown University. In August 2026, the literary world noted the release of her essay My Year of Tests and Arbitration, which coincided with media discussions about a Florida professor's firing linked to her involvement in academic controversies. That same month, she participated in a conversation with Patty Cottrell, further cementing her role as a serious interlocutor in contemporary letters. Her Substack newsletter, ottessathisottessathat.substack.com, serves as a primary channel for direct communication with her readers.[编辑]

Moshfegh 是三个孩子中的老二。她的母亲 Dubravka Sajfar Moshfegh 是克罗地亚中提琴手，父亲 Farhoud Moshfegh 是伊朗犹太小提琴手。她的父母在布鲁塞尔皇家音乐学院相识，1975年结婚，住在德黑兰，直到伊朗革命迫使他们于1978年逃往美国。他们定居在波士顿，在新英格兰音乐学院任教，后来搬到马萨诸塞州牛顿市。Moshfegh 的父母都是专业音乐家，在1978年革命期间逃离伊朗。她有两个兄弟姐妹。小时候，她在子宫内就接触古典音乐，六岁开始视唱练耳课程。她早期的电视影响包括《芝麻街》、《罗杰斯先生》和《乐一通》。[编辑]

Moshfegh 与作家兼编辑 Luke Goebel 结婚。她与导演 William Oldroyd 合作了2023年改编自《Eileen》的电影，由 Thomasin McKenzie 和 Anne Hathaway 主演。她曾担任编辑 Jean Stein 的助理。她的写作受到编辑 Gordon Lish 的影响。[编辑]

Moshfegh与作家兼编辑Luke Goebel结婚。夫妇俩住在南加州。没有公开记录显示她之前有过恋爱关系。Moshfegh对个人生活非常保密。截至2026年，她仍与Goebel保持婚姻关系，没有已知的子女。她在采访中称Goebel为丈夫。[编辑]

Per iFANN's editorial analysis, Ottessa Moshfegh's net worth in 2026 stands at $1.5 Million. This valuation reflects earnings derived primarily from book advances and royalties for her major works including Eileen, My Year of Rest and Relaxation, Death in Her Hands, and Lapvona. Additional income streams include her co-writing credit on the 2023 film adaptation of Eileen and revenue generated by her Substack newsletter. Occasional teaching engagements and publications of short stories and essays in outlets such as The New Yorker, The Paris Review, and Granta contribute to her financial portfolio. The translation of her work into over twenty languages continues to provide ongoing royalty streams that support this estimated total.[编辑]

Moshfegh凭借她的处女作小说《Eileen》（2016年）获得了PEN/Hemingway奖。她的中篇小说《McGlue》获得了Fence现代散文奖和Believer图书奖。她还获得了Plimpton发现奖、Pushcart奖、O. Henry奖以及国家艺术基金会创意写作奖学金。[编辑]