Paul D'Amour

Paul D'Amour 是一位美国音乐人，以作为 Tool 乐队的原始贝斯手而闻名。他在一把 Chris Squire 签名款 Rickenbacker 4001CS 上使用激进的拨片音色，定义了 Tool 早期作品的声音，尤其是在他们的首张全长专辑《Undertow》中。自 2019 年 3 月起，他成为工业金属巨头 Ministry 的贝斯手，加入了一支其主唱曾在 Lollapalooza 音乐节上递给他一瓶掺了 LSD 的威士忌的乐队。D'Amour 的职业生涯跨越三十余年，从另类金属的奠基年代到工业地下音乐，但他始终保持极低的公众形象。粉丝们尊崇他为 Tool 早期身份的关键构建者，而他重返 Ministry 这样的大型巡演乐队，也让新一代乐迷领略到他的演奏。[编辑]

D'Amour 在华盛顿州斯波坎长大，十几岁时开始弹吉他。他搬到洛杉矶希望进入电影行业，从事电影布景搭建以及音乐视频和广告的美术部门工作。通过对电影和重型音乐的共同兴趣，他结识了吉他手 Adam Jones。Jones 正在组建一支新乐队，并邀请 D'Amour 加入。那个项目就是 Tool。在乐队走红之前，D'Amour 依靠这些电影行业的工作维持生计，同时与乐队排练和创作。他还曾短暂与反文化偶像 Timothy Leary 同住，Al Jourgensen 后来回忆了这段经历。[编辑]

D'Amour 于 1990 年成为 Tool 的贝斯手。乐队于 1992 年发行了首张 EP《Opiate》，随后于 1993 年发行了突破性专辑《Undertow》。他富有驱动力的拨片风格贝斯线条是这两张唱片的核心。在 1992 年的 Lollapalooza 音乐节上，D'Amour 和 Maynard James Keenan 喝下了 Ministry 的 Al Jourgensen 给他们掺了 LSD 的威士忌，Jourgensen 后来说 D'Amour 向他道谢，声称这“真正让 Tool 运转起来”。1995 年，因对《Ænima》的创作停滞感到沮丧，D'Amour 离开了 Tool。他已经创作并录制了专辑的一半；他的接替者 Justin Chancellor 重新录制了他的部分。D'Amour 亲自指导 Chancellor 如何演奏乐队的歌曲和设置效果器。离开 Tool 后，他加入了 Replicants（1996 年），并共同创立了 Lusk，于 1997 年发行了《Free Mars》。之后他组建了 Lesser Key。2019 年 3 月，D'Amour 加入 Ministry 担任贝斯手，并于同年 6 月首次现场亮相。截至 2026，他继续随乐队巡演和录音。[编辑]

D'Amour 以其激进的拨片贝斯技巧而闻名，这为 Tool 的早期专辑赋予了独特的顿挫感。媒体通常将他描述为“Tool 的原始贝斯手”，采访中他展现出一个深思熟虑、善于表达的乐手，愿意纠正关于自己贡献的记录。在 Tool 粉丝中，他被尊为创始成员，关于他在《Ænima》中与 Justin Chancellor 角色的争论仍在继续。D'Amour 保持着极低的公众曝光度：没有经过验证的社交媒体账号，没有个人杂志封面，采访也很少。这种低调增加了他的神秘感，使得他的每一次露面或声明都成为粉丝圈中的大事。[编辑]

Paul D'Amour commands a dedicated following that spans the alt-metal and industrial underground, yet his global footprint remains distinct from the chart-topping superstars who dominate headlines. He operates with a cult-like reverence among fans of progressive and industrial metal, respected for his foundational role in Tool's early sound and his recent tenure with Ministry. Despite this deep connection within specific music communities, iFANN has evaluated his profile and determined he does not currently hold a placement in the published Global Top 1,000 rankings or any Top-100 scope list. The data indicates an EVALUATED_UNRANKED status, meaning while his career is documented and his influence acknowledged, he has not crossed the threshold into the current tier of worldwide celebrity visibility tracked by the engine. There is no formal name documented for his fanbase; supporters are known simply as devotees of his work rather than members of an organized group with a specific moniker. While Ministry announced a farewell tour and final album titled Hate To Go (Take Out Or Delivery) in July 2026, generating significant buzz within the industrial scene, these events have not translated into a unique legendary fandom identity centered solely on D'Amour himself. His audience consists largely of long-time listeners who track his transition from Rickenbacker-driven bass lines to industrial rhythms, but no viral campaigns, birthday billboards, or official streaming initiatives bear his personal stamp. The lack of a named fandom reflects his choice to maintain a low public profile throughout a thirty-year career, allowing his music to speak without the noise of a manufactured celebrity ecosystem.[编辑]

Before joining Tool, Paul D'Amour originally played guitar, not bass, before switching instruments to fit the band's needs. His signature instrument is a Chris Squire Signature Rickenbacker 4001CS, the exact same model used by Yes's Chris Squire. A notorious incident occurred at Lollapalooza when D'Amour and Maynard James Keenan accidentally consumed LSD-laced whiskey handed to them by Al Jourgensen. According to Jourgensen, D'Amour once lived briefly with Timothy Leary during his formative years. He maintains no active social media presence, preferring privacy over digital engagement. D'Amour has stated that Undertow remains his favorite Tool album to play on. In interviews from 2024, he discussed his exit from Tool, citing frustration with the band's prolonged songwriting process for Ænima, noting it took them a year to write just five songs. He remarked that you do not need to spend ten years to make an album, highlighting his perspective on creative efficiency compared to his former bandmates.[编辑]

Paul D'Amour 对其家庭生活极为保密。关于他的父母、兄弟姐妹或子女，没有任何公开信息。他目前居住在加利福尼亚州洛杉矶。他没有透露任何关于宠物或家庭安排的细节。[编辑]

Paul D'Amour 与 Tool 密切相关，他是 Tool 的原始贝斯手，与 Maynard James Keenan、Adam Jones 和 Danny Carey 同台。他亲自指导了接替者 Justin Chancellor。自 2019 年起，他成为 Ministry 的成员，与 Al Jourgensen 直接合作。他还与 Chris Pitman 在 Lusk 中合作，并与 Failure 的成员在 Replicants 中合作。[编辑]

Paul D'Amour 对其感情生活完全保密。没有任何可靠资料记录他的约会历史、婚姻、离婚或子女。截至 2026 年，他的感情状况未知。[编辑]

Per iFANN's editorial analysis, Paul D'Amour's net worth in 2026 is estimated at $4 Million. His income streams are diversified across decades of musical output and recent touring commitments. As a co-writer on Tool's Opiate and Undertow, he receives ongoing royalties, with Undertow having sold over 3 million copies in the U.S. alone. Although he departed before the album's completion, his contributions to Ænima may yield partial royalties. Since March 2019, D'Amour earns a salary as Ministry's touring and recording bassist. Earlier projects like Lusk and Replicants generated modest revenue, and his work in the film industry provided early income. Royalties from Tool's catalog remain his most significant asset, though exact figures remain private.[编辑]