Raymond Antrobus

Raymond Antrobus MBE FRSL 是一位英国诗人、教育家和作家，其作品探讨耳聋、身份认同和文化遗产。他凭借2018年的首部诗集《The Perseverance》崭露头角，该诗集赢得了泰德·休斯奖，并使他成为首位获得Rathbones Folio奖的诗人。他于2020年当选为皇家文学学会会士，2021年被授予MBE勋章，此后出版了三部诗集、两本儿童书和一部回忆录。他的诗歌被纳入英国GCSE教学大纲，其儿童书《Can Bears Ski?》是BBC首次使用英国手语朗读的书籍。截至2026年，他往返于新奥尔良和马盖特之间，并获得了古根海姆奖学金。[编辑]

Raymond Antrobus 1986年出生于伦敦东部哈克尼的霍默顿医院，母亲是英国人，父亲是牙买加人，于1960年代移民。幼年时，老师认为他有学习困难或阅读障碍；直到六岁，他的耳聋才被确诊。他先后就读于哈克尼、伊斯灵顿、哈林盖和新十字区的四所不同学校，经历了主流教育和聋人教育体系。

他对语言的早期热爱源于与父亲一起背诵Evan Jones的诗歌《The Song of the Banana Man》，这首诗的海报曾挂在他卧室墙上。在全身心投入诗歌创作之前，Antrobus曾担任教师。后来，他在伦敦大学金史密斯学院获得口语诗教育硕士学位，成为世界上首批获得该学位的人之一。他开始在开放麦克风之夜表演，加入伦敦的诗歌朗诵比赛圈，并共同创立了口语诗组织Chill Pill和Keats House Poets Forum。[编辑]

Antrobus于2012年出版了第一部小册子《Shapes & Disfigurements》，随后于2017年出版了小册子《To Sweeten Bitter》。同年，他凭借诗歌《Sound Machine》获得了Geoffrey Dearmer奖。他的首部完整诗集《The Perseverance》以哈克尼一家酒吧命名，于2018年出版并广受好评。2019年3月，该诗集赢得了泰德·休斯奖；两个月后，它赢得了Rathbones Folio奖，使Antrobus成为首位获此殊荣的诗人。同年，他还获得了《星期日泰晤士报》年度青年作家奖和萨默塞特·毛姆奖。

2020年，他当选为皇家文学学会会士，并出版了第一部儿童书《Can Bears Ski?》，由Polly Dunbar绘制插图。2021年，他被授予MBE勋章，并发布了第二部诗集《All The Names Given》，该诗集入围了T.S.艾略特奖。同年，他主持了BBC广播4台的纪录片《Inventions in Sound》。他的第三部诗集《Signs, Music》和第二部儿童书《Terrible Horses》于2024年出版。2025年，他出版了第一部散文作品——回忆录《The Quiet Ear》，并于2026年获得了古根海姆奖学金。[编辑]

Antrobus被广泛认为是一位开创性的诗人，他融合了口语和书面文字，并经常在手语表演中融入元素。评论家称赞他复杂的社会评论以及将耳聋、种族和记忆等主题交织在一起的能力。媒体报道常强调他的“第一”角色——首位赢得Folio奖的诗人、BBC首次用BSL朗读的书籍，将他定位为聋人文学领域的先驱声音。他以冷静、从容的朗诵风格和对艺术无障碍性的承诺而闻名。目前尚无官方粉丝名称，但他在诗歌读者和残障倡导者中拥有忠实追随者。[编辑]

Raymond Antrobus commands a following defined not by screaming crowds or viral memes, but by the quiet intensity of readers who return to his work for clarity on identity and silence. His audience consists primarily of literary enthusiasts, educators, and members of the Deaf community who find profound resonance in his exploration of sound and language. Unlike pop stars with organized fan clubs, Antrobus lacks a formal fandom name or ritualistic campaigns; his supporters engage through book tours, poetry readings, and academic discourse rather than chart pushes or subway ads. The impact of his work is measured in critical acclaim and cultural shifts regarding deafness, such as the widespread discussion sparked by his memoir *The Quiet Ear*. While he maintains a digital presence on platforms like Instagram to share updates, there are no recorded instances of fan rituals or inside jokes that define a specific subculture around his name. Instead, his legacy is built on documented milestones: a diagnosis at age six, winning the Ted Hughes Award, and collaborating with Evelyn Glennie. These moments serve as the anchors for his reputation among those who follow his career. Despite his significant contributions to literature and advocacy, iFANN's Global Fame Engine has evaluated this person, but they do not currently hold a placement in the published rankings (Global Top 1,000 or a Top-100 scope list).[编辑]

As a child, Antrobus kept a poster of Evan Jones's poem "The Song of the Banana Man" on his bedroom wall, reciting it alongside his father. His poems "Jamaican British," "The Perseverance," and "Happy Birthday Moon" remain staples on the UK's GCSE syllabus. In a landmark broadcast moment, his children's book *Can Bears Ski?* became the first read using British Sign Language on the BBC, performed by Rose Ayling-Ellis. Beyond the page, he has held multiple residencies in Pupil Referral Units and serves as an ambassador for The Poetry School and Arts Emergency while sitting on the board for English PEN. He actively advocates for Deaf Kidz International and the National Deaf Children's Society. A central narrative in his life story frequently retold in interviews is his diagnosis as deaf at age six, which frames his entire artistic identity. His win of the prestigious Ted Hughes Award for New Work in Poetry solidified his standing in the literary world. Later, his memoir *The Quiet Ear* achieved massive cultural traction, appearing on Time magazine's list of 100 Must-Read Books. A notable collaboration occurred when he worked with Grammy-winning deaf artist Evelyn Glennie on an album described as extraordinary. More recently, a humanizing anecdote emerged where Antrobus revealed reading half a novel while detained at a border crossing.[编辑]

Antrobus的父亲于1960年代从牙买加移民到英格兰，在伦敦工作。他的母亲是英国人。他曾谈到与父亲的亲密关系，父亲的去世深深影响了他，并激发了小册子《To Sweeten Bitter》的创作。关于兄弟姐妹、他自己的家庭或宠物的细节未公开。他目前往返于路易斯安那州新奥尔良和肯特郡马盖特之间。[编辑]

Antrobus曾与Kae Tempest、Sabrina Mahfouz、Inua Ellams和Warsan Shire共同策划展览。他的诗歌《Sound Machine》赢得了由Ocean Vuong评审的Geoffrey Dearmer奖。他的儿童书由Polly Dunbar（《Can Bears Ski?》）和Ken Wilson-Max（《Terrible Horses》）绘制插图。Rose Ayling-Ellis在BBC上用BSL朗读了《Can Bears Ski?》。[编辑]

目前没有关于雷蒙德·安特罗布斯恋爱关系、婚姻状况或约会历史的公开信息。截至2026年，他的感情状况未知。[编辑]

Raymond Antrobus的身价没有可靠的公开估算。作为诗人、教育家和作家，他的收入来自书籍销售、预付款、演讲、教学和奖项。他的主要奖项包括泰德·休斯奖（1万英镑）、Rathbones Folio奖（3万英镑）和萨默塞特·毛姆奖（金额未公开）。他还从其诗集和儿童书中获得版税，并可能从表演和驻留中获得费用。他被授予MBE勋章和当选皇家文学学会会士带来了声望，但没有直接的经济利益。由于没有具体的财务披露，无法负责任地估算其身价。[编辑]

雷蒙德·安特罗布斯赢得了多项重要文学奖项。2019年，《Perseverance》获得了Ted Hughes奖、Rathbones Folio奖（诗人首次获得）、Somerset Maugham奖和《星期日泰晤士报》年度青年作家奖。更早的2017年，他的诗歌《Sound Machine》获得了Geoffrey Dearmer奖。他还获得了Lucille Clifton Legacy奖，并被评为PBS冬季精选。[编辑]